Web pages are great for static information. Your "About Us" and "Products and Services" sections should be easily found here. Past designs, previous works, and current notable clients should be listed here too. Include interesting photos and videos. Describe your business both in your meta tags and body copy.
A mixture of fact and opinion is what makes blogs interesting. You should also include photos, video, or other visual representation of your work. If you use WordPress, you can quickly upload and optimize your multimedia content. Keeping your blog updated with writing from Scripted is an effective and inexpensive way to keep driving new traffic to your website.
Use Twitter and Facebook to increase the reach of your website or blog. Facebook allows longer content than Twitter, but usually you'll want to keep posts between 100-400 characters. You should distribute content via Facebook that is easily shareable with little explanation. This content can spread quickly and earn you large numbers of views and clicks.
written by John R. | Favorite this Writer
The most important thing to do before designing a website is planning that site's content and the building blocks that will give it structure and clarity. Just as a baker would never set about his work in the kitchen without a list of ingredients and instructions, neither would an experienced web-designer attempt to build an attractive and memorable site without a clear list of information to be included, anticipated page structure and repository of photos ready for uploading. By making a bulleted list of content to be included that fits within a coherent navigational structure, designers afford themselves a ready-made skeletal structure of their website before ever choosing a visually-rich design. Knowing the purpose of the site and what photos best communicate its message enables designers to choose backdrops, headers, typography and color schemes that contribute to the site’s overall aesthetic quality. Once attractive photos and logos are built into the site’s backbone, adding text, video, RSS feeds and widgets becomes not only seamless, but inviting. Like beautiful frames that invite stunning photography, a well-planned site suggests obvious homes for various types of content based on factors such as size, spacing, topic and functionality. Turning the website from concept into reality then becomes merely a matter of copying and pasting edited content into the skeletal structure now brought to life with images, colors and useful widgets. Designers who have thoughtfully prepared for their website’s creation will be rewarded by a content-rich, visually-appealing site that needs only finishing touches after the addition of content to become unforgettable.
written by Andrea C. | Favorite this Writer
How to Use Elements of French Country Decor
By Andrea Campbell
France has a design heritage with furniture that is unsurpassed. The French court was bound up in luxury, and the nobility of the time created magnificent homes that served as the impetus for beautiful furniture design and production. During the rule of Louis XIII, in the early part of the seventeenth century, furniture resembled what was found in England and Holland. The heavily carved oak and walnut designs meant that scale was massive, with a heft much pronounced.
The design period which followed, Louis XV style, was more sophisticated because designs were symmetrically balanced using bold curves and excessively ornate motifs in stark contrast and counterpoint to the more primitive furnishings of the people. Furniture was extremely elegant with gilding, intricate inlays, and painted decoration.
For the smaller cities and surrounding countryside, French Provincial, a simpler furniture style, grew in popularity. Native woods such as oak, walnut, pine, beech, elm and wild cherry were used. Pieces were almost always in natural wood and the gilded details and elaborate ormolu-gold metal alloy designs-were dropped.
The principal decoration was carving. Some of the most common pieces were armoires, chests of drawers, and armchairs with rustic stretchers and exposed back slats and rush seats; fanciful clock cases, open cupboards and china cabinets with whimsical curves and carving were popular.
Provincial furniture was solid, sometimes even crude. French Provincial has influenced current decoration and design more than any other past style has because its design was imaginative and its charm is enormous. The country look so popular today usually means French Provincial.
Your Own Adaptations
You don't have to redo your home to create French Country living. Part of the look is simply related to period details and pieces indigenous to the area of Provence in the south of France, up through to Dordogne and into Loire, cities typical of the French countryside.
To get the style:
Look for French harvesting baskets; they are wide at the top and taper to the bottom as a vase might. For centuries, French farmers have strapped these baskets to their backs for harvesting grapes or olives. In addition to being tapered they are flat in the back to accommodate the bearer's torso. Hanging on a wall, filled with either bouquets or mail, they look terrific....
written by Hilary F. | Favorite this Writer
It can be difficult for a burgeoning artist to immediately grasp the differences behind professional terms. An artist bio is different from an artist statement, for instance, and confusing the two is a common faux pas among amateurs. Note these differences to avoid making a foolish first impression:
• Written in third-person
• Focus on major accomplishments first
• Touch on important professional and educational milestones
• Downplay inexperience
• Don’t oversell
An artist bio is often referred to as a resume in narrative form. It doesn’t have to be as formulaic as a traditional resume, but it does sell you as the right artist for the job. It’s important to stay reasonably humble and stay away from language that might read as arrogance. There’s a big difference between having pride in your work and being obnoxious.
• Written in first-person
• Focus on current artistic style
• Touch on influences and important projects
The artist statement describes your current work. It’s best to stay away from comparing your work to someone else’s, sticking instead to schools of style. Similar to the artist bio, any praise should be within reasonable means. Claiming to be “the best,” “the most innovative” or other such language will leave your reviewers with a negative impression.
Throughout your career, you will run across many situations that make you doubt your ability to find success as an artist. Before throwing in the towel, do some research and see if you can’t figure these things out for yourself. The internet can be an invaluable resource in lieu of a competent mentor.
written by Dianne S. | Favorite this Writer
In our computerized lives, we are bombarded with information at blazing speed. Journalism has been reduced to sound bites and 140 character tweets, and the hand written letter has been replaced by a blast to a Facebook wall. When it all becomes too much, when my head is spinning from the constant need to be “on” all the time, I retreat to a quiet space in my home and slip back into the past.
The loom sits and waits, its rich wooden beams empty. The straight lines belie the curving, swooping designs I will create in its confines, the hardness of the wood a stark contrast to the fuzzy softness of wool, the slinky, satiny feel of pure silk. There is no hurrying this craft. No matter how I use a computer to plan projects and discuss them obsessively with other weavers around the world, the weaving itself is done slowly, meditatively, as it always has been. Warps are wound one thread at a time. Each thread must be placed in its own heddle, gently pulled through its own slot in the reed. Each pass of the shuttle is a separate act.
The loom warped, I sit on its bench and admire the brilliant colors of the silk threads, brushing my hand over the rainbow that lies before me, shining in the sun that pours in through the window. It dizzies me to think that, under my hands, the silk and the wood and the string heddles will combine to create something lovely, something that didn't exist in the world, something that only I can make. I take a deep breath, and pick up my shuttle. The loom awaits.
written by Brandy B. | Favorite this Writer
Frank Lloyd Wright's genius gift of clean lines, immaculate form, and masterful function has inspired generations of architects and interior designers. Gaining most of his influence from the Asian culture of Japan, evidence of this inspiration is sprinkled throughout many of his blueprints and final design techniques. Not only did he design beautiful, spacious homes, he is also known for his stained glass window designs and straight-lined, functional furniture. Frank Lloyd Wright was a prodigy in his field, and those that could afford it, flocked to him to design their dream homes. Despite an illicit affair and family tragedy, Wright maintained his craft and became the well-known architect others in the field can only aspire to become.
His innate abilities are demonstrated especially in his most famous architectural masterpiece, Falling Water. Built in 1935 in Mill Run, Pennsylvania for the well-known and wealthy Kaufmann family, the home oversees a waterfall that runs directly beneath it's foundation. Although the cold, stark lines of the exterior sets above the frigid waters, crisply mirroring the flow of the falls cascading below, there is an inviting warmth to the interior. An Asian influence is strategically mapped out in both design and space planning. The art of Feng Shui is established throughout the home for a feeling of serenity and calm. The cool, sparkling waters also gives way to relaxation and allows the senses to fully immerse into Wright's world. This was his intention;to give the feeling of home and security in a pure, classic, timeless aesthetic beauty for all walks of life to enjoy for years to come.
written by Sarah W. | Favorite this Writer
Mention tie-dye, and most people immediately think of the 60s hippie movement, tie-dyed t-shirts and flowers in your hair. But tie-dye’s history goes back much further.
The earliest examples of tie-dye, found in Peru, dated between 500 and 810 A.D. These were tiny circles dyed in bright colors.
Dated in the 700s A.D., the dying technique known as shibori was common in Japan and Indonesia. This form of tie-dying consisted of wrapping fabric around a piece of heavy cord or branch before dying. The inner part of the wrapping did not receive the dye and created elaborate patterns for kimonos.
Tie-dye was introduced in the U.S. in 1909 when a Columbia University professor acquired samples of tie-dyed muslin and presented a lecture on the technique to his classes. But the technique did not catch on in this country for another 60 years.
It was the rock stars of the late 1960s, including Janis Joplin, Jimi Hendrix, and John Sebastian, who introduced tie-dye to the youth on America. Members of the hippie movement, looking for forms self-expression and individualization, embraced the colorful technique and tie-dye’s popularity soared for the next ten years.
After hiding for nearly 30 years, tie-dye reappeared on the fashion runaways in 2009. No longer hand-dyed in the home, tie-dye is readily available in clothing stores and fabric shops around the country.
written by Leigh C. | Favorite this Writer
While many works at IPCNY’s Portraiture exhibit pushed the definition of “portrait” to the edge, Portia Munson’s stands out as the most thought-provoking. Six pink roses, some in more advanced bloom than others, form a perfect circle around a bat, on a black background. At first view, the furthest thought from my mind was “portrait.” However, I let the image settle into my mind for a bit longer, and then I began to see.
Munson’s work is purely representational, a creation of the person it sets out to describe. The pink roses symbolize the varying, yet beautiful, nature of this person, at times reserved, as shown by the more closed flowers, at times completely open, as shown by those in full bloom. Their formation into a perfect circle seems to indicate the consistency and reliability of this fluctuation. The bat in the center refers to the person’s inner core, which is ultimately what the roses are hiding or letting shine through when they are in their varying states of bloom. The black backdrop assists in dramatizing the starkness of contrast within this person to the outside world.
While Munson’s portrait does not even come close to the standard image of a face, she attempts to create the essence of her subject through interpretive symbols that need to be dissected to even attempt to re-create their meaning. While not everyone would commission such a work, Munson’s definition pushes the envelope of portraiture, offering another approach to the medium.
written by Conley L. | Favorite this Writer
Rather than using distortion to signify a dream, Cahun uses the costume. In one of Cahun’s most jarring photographs, she presents the viewer with a large cabinet, its doors flung open. Within the cabinet, beneath a shelf on which bottles and papers are neatly arranged, lies Cahun. She is dressed up as if to imitate a young girl or a doll. Her feet are clad in ankle-high socks, her hair is in bows, and she has contorted her body to make it look unfeasibly small. Only a stray arm dangles from the dresser (Image 4). The costume’s presence, in this photograph especially, cannot be overlooked. Nothing about the cabinet is out of place, except for the dead or sleeping girl stuffed on the lower shelf. Were she not there, the image would actually be quite mundane, if not insufferably boring. Again and again, the viewer’s eye is drawn to Cahun, attempting to discern whether or not she’s alive, and whether or not she’s even human. The pivot of this piece is the costume, for it allows Cahun to create strangeness without the aid of photo manipulation or darkroom distortion. The viewer is aware that reality has shifted not because of how the senses perceive altered surroundings, but because of how the costume places a self into the scene where it should not be.
written by OKELLO O. | Favorite this Writer
Interior Design Decorating Styles
There are various styles of interior décor that are born of prior styles; each style depicts a different personality and taste. You may pick a couple of styles, and use them to play around with your space and color to bring out the desired effect. For example, you’ll find the contemporary style has furniture pieces, which come with sleek and modern designs in different wood tones, materials and metal. The more streamlined the furniture silhouettes, the better. Preferably, use solid colors to contrast the walls, and elicit a contemporary feel to the rooms.
Garden styles involve the use of live plants in the house, with patio doors in more than one room and very large windows. The windows help bring in light and allow for viewing of the green sceneries outside. This style can also be enhanced by landscape pictures on the walls. Most homes using this style will have a sun room built outside entirely full of plants, the choice of plants depends entirely on your personal taste.
The New York style is brought out mainly by neutral colored walls that contrast the colored furniture lined up along the walls; this allows easy human traffic in the house. To save on space while at the same time creating décor, storage is hidden in beautiful furniture pieces of intriguing design and material, such as vintage wooden chests.
written by Samuel M. | Favorite this Writer
Interior Design Tips for Small Rooms
Everybody looks forward to designing their dream house. In the event that an individual shifts to a new place, creating a beautiful dwelling that was unique remains paramount. A big space provides people with several approaches to use in designing the rooms, but this does not apply when dealing with smaller rooms. Designing smaller rooms is a challenge due to the lack of space. The following tips are essential in designing small rooms
Remove the Unwanted Items
This is the most important step to carry out. Well, no one would want to fill a small room using unwanted items. Clearing all the clutter in and around the rooms that have less space is essential. Failure to clear the clutter results to a room appearing smaller than its real size. The filled up room also hampers movement of house members.
Choose the Right Colour for the Walls
Colour combination on the walls will make the room aesthetically appealing and spacious. Using lighter shades makes the room appear more fresh and spacious. Another interesting approach to make the room spacious through using the right colours is by painting four walls of the room with same colour while the fourth wall is a touch of a darker colour than the three other walls. This makes the room appear more interesting and also spacious.
Pick the Right Fabric for the Curtains
Bulky and dark coloured curtains are usually not recommended as they not only block the light that comes into the room, but they also take up a lot of space. One can actually go for decorative shades or blinds that are not too bulky and are in lighter shades.
Avoid Large and Bulky Furniture
Selection of furniture is a very crucial aspect of designing a small room. As there is not enough space, you must make sure that you do not purchase large bulky furniture., This kind of furniture will not only occupy a lot of space but will also be very costly. Small rooms should have minimal furniture in them even if they were a house’s living room.
Use Small Pictures than Large Paintings
Small rooms do not require large paintings on their walls. You can simply place small family portraits that fill up space on the walls.
The Right Art Piece
Though keeping too many art pieces is not suggested, one can place an art piece that captures attention. The art piece should be eye-catching and must divert anyone’s attention from other areas of the room that are not aesthetically appealing. It can be an exclusive sculptor or an abstract show piece.
Having small rooms in your house does not mean that you have limited space. One can actually go ahead and use some creativity in designing small rooms. As long as you keep the above mentioned interior design tips in mind, you can use them to design small rooms to perfection.